Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and luxuriate in activities that are free the young and young in your mind. You can easily participate in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times when you look at the theater. Family days are generously sustained by a grant from the Austin Community Foundation, with in-kind support given by Terra Toys.
Below is a detailed schedule:
Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead activities that are writing the top of the hour from 10 a.m. through 4 p.m.
Join a tour that is docent-led of exhibition at noon, 2 p.m., and 4 p.m.
Enjoy story time into the theater at 1:15 p.m. and 3:15 p.m.
Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.
Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.
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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The film strips portray two of the most memorable components of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and stored in colorfully printed little boxes. The Movie Jecktors will have been combined with a toy film projector to produce a simple animation.
The Ransom Center’s Movie Jecktors required conservation before they could be safely displayed within the galleries. Both the wooden dowel and the storage box, which will be made of wood pulp cardboard, had a acid content that is high. An environment that is acidic bad for paper. The Movie Jecktors had become brittle and discolored, and there have been many tears and losses into the paper. The movie strips was in fact repaired in the past with pressure-sensitive tapes (the tape that is common all used to wrap gifts). These tapes are never right for repairing paper because they deteriorate and often darken over time and are also difficult to remove once essay writing in place that we hope to preserve.
Because the Ransom Center’s paper conservator, I removed the tapes using a heated tool and reduced the remainder adhesive using a crepe eraser. I mended the tears and filled the losses using Japanese paper and wheat starch paste. For the fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend aided by the original paper. Areas of ink loss were not recreated.
Visitors to the exhibition is able to see the certain regions of the filmstrips that have been damaged, but those areas are now actually stabilized and less distracting. This sort of treatment reflects the practice of conservation to preserve, although not “restore,” the object’s original appearance. Libraries, archives, and museums today often pick the conservation approach since it allows researchers along with other visitors a far better knowledge of the object’s history, including damages that occurred, which may speak to the materials utilized in the object’s creation.
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Please click on thumbnails to enlarge images.
Easter weekend hours
The Ransom Center is likely to be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.
Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are expected.
Admission is free. Your donation will support the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.
Please additionally be conscious that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on Saturday, April 4.
Get the Harry Ransom Center’s news that is latest and information with eNews, a monthly email.Subscribe today.
John Crowley, whose archive resides at the Ransom Center, is an American author of fantasy, science fiction, and mainstream fiction. He published his first novel, The Deep, in 1975, and his 14th level of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He’s got taught writing that is creative Yale University since 1993. A special 25 th -anniversary edition of his novel Little, Big would be published this spring. Below, he shares how Lewis Carroll’s classic Alice’s Adventures in Wonderland influenced his own work.
A vital (best sense) reader of could work once wrote a whole essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice kind of title in the first place. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained in me that they simply form section of my vocabulary. I first heard them read out: my older sister read them to me once I was about eight yrs . old. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for certain books read or heard at certain moments in childhood, there isn’t any first reading: such books go into the mind and soul as though they had always been there. I do remember my response to Through the Looking Glass: i came across it unsettlingly weird, dark, dreamlike (it really is in reality the dream-book that is greatest ever written). The shop where the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing while the sheep when you look at the stern knitting (!)—it wasn’t scary, nonetheless it was eerie I was then becoming a connoisseur because it so exactly replicated the movements of places and things and people in my own dreams, of which. How did this written book know about such things?
Another connection that is profound have with Alice I only discovered—in delight—some years back in (of all places) the Wall Street Journal. In an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own parts of the body) seem smaller, larger, closer or maybe more distant than they are really. It’s more common in childhood, often in the onset of sleep, and may also disappear by adulthood…”
We have tried to describe this syndrome to people for a long time, and do not once met anyone who recognized it from my descriptions. In my opinion it is more odd a feeling than this, and more ambivalent: I feel (or felt, as a child, almost never any more) as if my hands and feet are billions of miles distant from my head and heart, but in the same time I am enormously, infinitely large, and so those parts come in exactly the same spatial regards to myself as ever, if not monstrously closer. It was awesome into the sense that is strict not scary or horrid, uncomfortable but additionally intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it on my resume: “John Crowley came to be within the appropriately town that is liminal of Isle, Maine, so when a kid suffered from or delighted in Alice in Wonderland syndrome.”
- Posted by Javier Gervas
- On agosto 18, 2019
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